The varied form that
the poems take is intriguing. The poet
has changed how a reader looks at a poem.
The definition of poetry is skewed in this collection due to the lack of
fundamental sentence structure in every poem.
For example, in “when after you have exhausted the possibilities”, there
is one sentence for the entire poem with the period being at the very end. This is striking. Obviously, there are fragments included that
change how the poem is read aloud or seen on the page. Without separate sentences or pauses the poem
is read with more force, perhaps faster.
Many of the poems act this way.
The form influences how the poem is read and where the focus is for the
subject at hand. “Not” is repeated many
times, created a friction for the speaker of the poem. “i will not paint the new house blue” is
repeated numerous times creating force and emphasis there.
The lack of capitalization also lends itself to the
defacing fundamentals of writing. Why
not capitalize? This is included in
every poem. Even states are not justly
capitalized. This could be done to make
all words equal, not more important than another and the focus is put on the
poem itself. (This then, could be said
of gender, the topic at hand; all people are equal.) Or, simply, it could be the stylistic choice
of the writer.
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